Fall Concert : Ballet Tucson

FALL CONCERT

November 17-19, 2023
Leo Rich Theater

Ballet Tucson returns to the main stage this fall with three invigorating masterworks. Witness the return of legendary choreographer George Balanchine’s most iconic ballet Serenade and the Ballet Tucson premiere of his exquisite Divertimento No. 15. World-renowned choreographer Andrea Schermoly’s contemporary pas de deux left our audience members awestruck at our 2022 Fall Concert. See the entire work Klein Perspectives for the first time as a part of this inspiring triple bill!

DIVERTIMENTO NO. 15

Sponsored by Jeannette Segel

BALLET TUCSON PREMIERE
Choreography by George Balanchine
Music by Wolfgang Amadeus Mozart

KLEIN PERSPECTIVES

BALLET TUCSON PREMIERE
Choreography by Andrea Schermoly
Music by J.S. Bach, Antonio Vivaldi, Ólafur Arnald’s Chopin Project

SERENADE

Choreography by George Balanchine
Music by Peter Ilyitch Tschaikovsky

Ballet Tucson's performances of Divertimento No. 15 and Serenade is presented by arrangement with The George Balanchine Trust and has been produced in Accordance with the Balanchine Style® and Balanchine Technique® service standards established and provided by The Trust.

Performance Details

Friday, November 17, 2023 at 7:00 pm
Saturday, November 18, 2023 at 2:00 pm
Saturday, November 18, 2023 at 7:00 pm
Sunday, November 19, 2022 at 2:00 pm
Leo Rich Theater

All programming is subject to change

Tickets

Single and Group Tickets are available for purchase online via Ticketmaster or through the Tucson Convention Center Box Office by phone 520.791.4101 or in person: 260 S Church Ave, Tucson, AZ 85701

Want to avoid TicketMaster fees and save? Become a Ballet Tucson Season Subscriber to receive 20% off tickets & other exclusive benefits.

KNOW BEFORE YOU GO!

(Subject to change)

BOX OFFICE:
If your tickets are reserved at the Box Office/Will Call, you will need to show ID to verify your identity. Please pickup tickets prior to going through the security check. 

SECURITY CHECK:
Security checks are required before entry. The Tucson Convention Center recommends that patrons should plan to arrive earlier than normal to allow for this enhanced security process.  Tucson Convention Center reserves the right to refuse items which may cause a danger or disruption to an event or other guest.  Any guest who declines to be searched or is in possession of a prohibited item may be denied entry or ejected from the facility.

PARKING:
Parking is available in Parking Lot A Garage which is located off Church Ave. Parking in Lot B is accessible via Granada, and Lot C which is accessible off or Granada, has limited parking spaces due to construction. Please do not park in surrounding neighborhoods.

CLEAR BAG POLICY:
Bags that are larger than 14″ x 16″ will not be permitted through the security zone.

BAGS:
Tucson Arena, Tucson Music Hall and Leo Rich Theater has enhanced venue environmental, health and safety protocols to include the type of bag guests are allowed to bring into these facilities. In additional to health and safety issues, our new protocol will help expediate entry to games and events. Clear Bags no larger than 14″ x 16″ or a clutch no larger than 8″ x 5″. (There could be exceptions to this rule and those exceptions will be noted on the event page.) Large bags, briefcases, backpacks, luggage and convertible backpack purses are strictly prohibited. Guests entering any facility in the Tucson Convention Center are subject to search at the discretion of management. Tucson Convention Center does not provide storage for any confiscated baggage.

BOUTIQUE:
The Boutique is open in the lobby before the performance, during intermission, and at the end of the performance and accepts cash, card, or check. 
All proceeds benefit The School of Ballet Tucson and Ballet Tucson.

ABOUT GEORGE BALANCHINE

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Photo by Tanaquil LeClercq BALANCHINE is a Trademark of The George Balanchine Trust.

Choreographer of DIVERTIMENTO NO. 15

Born in St. Petersburg, Russia, George Balanchine (1904-1983) is regarded as the foremost contemporary choreographer in the world of ballet. He came to the United States in late 1933, at the age of 29, accepting the invitation of the young American arts

patron Lincoln Kirstein (1907-96), whose great passions included the dream of creating a ballet company in America. At Balanchine’s behest, Kirstein was also prepared to support the formation of an American academy of ballet that would eventually rival the long-established schools of Europe. This was the School of American Ballet, founded in 1934.

With a performance on October 11, 1948, the New York City Ballet was born. Balanchine served as its ballet master and principal choreographer from 1948 until his death in 1983, creating over 400 works. He also choreographed for films, operas, revues, and musicals.

A major artistic figure of the twentieth century, Balanchine revolutionized the look of classical ballet. With classicism as his base, he heightened, quickened, expanded, streamlined, and even inverted the fundamentals of the 400-year-old language of academic dance. This had an inestimable influence on the growth of dance in America. At first his style seemed particularly suited to the energy and speed of American dancers, but now his ballets are performed by all major classical ballet companies throughout the world.

ABOUT ANDREA GISELLE SCHERMOLY

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2022 Fall Concert Choreographer of KLEIN PERSPECTIVES

Andrea (Andi) Giselle Schermoly was born in South Africa.  She trained at the National School of the Arts, Johannesburg and on full scholarship at Rambert Ballet and Contemporary School, and full scholarship at The Royal Ballet School, London.  She competed internationally as a member of The South African National Rhythmic Gymnastics Team.  She danced professionally for Boston Ballet Company and the Netherlands Dance Theater (1&2).  

She is the resident choreographer at Louisville Ballet Company.

She has choreographed for Ballet Met, Royal New Zealand Ballet, Cincinnati Ballet, Cape Dance Company, Kansas City Ballet Company, State Street Ballet, Grand Rapids Ballet Company, Louisville Ballet Company, Santa Barbara Dance Theater, Festival Ballet Theater, Ballet Theatre Afrikan, Quixotic Cirque Noveau, Boston Ballet 2, Joffrey Ballet Concert Group, The Juilliard School solos evening and directed and choreographed a dance narrative film for The Ashley Bouder Project presented at The Joyce Theater, NYC, which went on to be presented by San Francisco Dance Film Festival.  She was awarded the “Outstanding Choreographer” award in 2012, 2013, and 2017 at Youth America Grand Prix.  In 2014 she choreographed at Lincoln Center for YAGP’s 15th anniversary gala evening on dancers Maria Kochetkova (principal San Francisco Ballet) and Joaquin de Luz (principal New York City Ballet). The piece has since been re-staged at ‘Buenos Aires International Dance Gala' Argentina and ‘Stars of the 21st Century Gala’ in the Champs Élysées, Paris. Andi has choreographed for feature films, commercials, and music videos including ‘Beautiful Now’, 'Bunheads', Justin Bieber/Poo Bear, and Deorro music video, and choreographically assisted on projects such as 'Budweiser Superbowl Commercial’ and ‘Star Trek into Darkness’.  She's created work for principal dancers attending international galas, most recently for Sarah Van Patten/Wei Wang of San Francisco Ballet for Tahoe Dance Camp.  

Andrea has created 7 original works for Louisville Ballet, including having the honor of recreating two iconic Martha Graham works in collaboration with Louisville Ballet and Louisville Orchestra.  “Appalachian Spring” and “Judith”.  “Appalachian Spring” will be performed at Carnegie Hall in an upcoming season.  She has upcoming work with Royal New Zealand Ballet and Compania Nationala de Danca, Spain, amongst others.  Her most recent dance film ‘Rite of Spring’ for Louisville Ballet received outstanding reviews including “the best pandemic film produced in the US”  by ARTS AIR.  

BEHIND THE SCENES

SEASON SPONSORS

Connie Hillman Family Foundation
Florence and Larry Adamson
James H. and Frances R. Allen Family Foundation
JoAnn Cowgill

© 2023 Ballet Tucson. All rights reserved

Dance Photos by Ed Flores